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The Regrettable Hypothesis Of Arco

Ouroboros

Midnight and whereabouts, 1973, on the sidewalk bricks of Chowringhee, inside the squalor of a tent emerged the incredible body of a boy infant. At all places and in all times thereafter people were to identify him as Arco. His birth itself was of little consequence if one were to consider the foreseeable death of a nine month old pregnancy. In fact that night many mothers ended their pregnancies. This observation in profusion of events certainly escaped Arco. For the next twelve years he grew up playing on his sidewalk deprived of all inquiries and contrition (replete with flies and dogs)

It was precisely in the summer of 1985 when that particular night approached and shook him out of his boyish preoccupations. His wretched sidewalk demonstrated that it could hold drunkards and dogs in equal respect. Arco had just entered his sidewalk tent. All the sounds inside tent belonged to mother. He wondered how she was not going to last fore-ever washing dishes in other houses. The thought filled him with remorse. Suddenly the world almost leaked into him. He thought of man and his most potent creation – cacophony. He also thought of the darkness, sun and birds. He did not wonder about their counterparts yet. The temporal universe to him was still unique, linear. He was reminded of the need to toil and earn if one were to live. He let himself into a formidable dizziness.

At around that instant there was a large thud followed by clamor of many-mouthed crowd over the busy Chowringhee asphalt. Arco emerged from his tent like he had emerged from womb twelve years ago – surprised and yet ignorant of the cause of his surprise. Arco’s body was still as incredible without any trace of it infecting his faculties. On the road he saw a drunken man lying harmlessly in the middle of a round column of people. The man’s attitude best fitted that of a dead. A flailing truck was the suspect in bringing the misfortune. He also saw the warm blood emanating like sun beneath the head that had almost burned the asphalt. The vehemence of blood would also burn on his mind. That night sleep was hard to befriend. Not knowing what to do Arco stared into his hands but darkness preserved him. This was of little consequence because he was to look into his hands again.

On the second night of that fateful summer of 1985 Arco found himself facing another act of blood singing the asphalt, another drunk man and another truck (or bus).  The blood showed the vehemence that besieged the night before. Again, that night Arco found sleep impossible to imagine. Weltering in sweat and horror he did what he was to do at some point in his unusual lifetime. A vacuous peering into hands (now better illuminated under the promiscuous glow of side-walk light post) followed. Arco noticed something unnerving. His right hand was an exact copy of his left (or vice versa)! The crookedness and dimensions of fingers and thumb, the ridges on nails, the mounds and creases on palms, the scars on his wrist and even the innumerable dirt-carved whorls over the pulp of digits! He shook his head in disbelief but the physical puzzle refused to budge. He traced back his forearm only to find the arbor of veins and even hair patterns symmetrically disposed. Susceptible to hypothesis his mind coveted a storm. A hallucination? He waited for morning. The night was the longest night. Later, a borrowed mirror confirmed his regrettable discovery. His face was exactly the double of a half, his torso and his feet were obedient to the new found trend. To test (or to intensify) his hypothesis that he was nothing but a man mirrored upon himself Arco inflicted a soft abrasion on his right hand. The abrasion scrupulously replicated itself on his left! He was not hallucinating! He observed other beings that obediently failed to match his talent. He noted that for some reason God had gifted (or cursed?) him. He thought of the cruelty of warm, sun-like blood that had mirrored across time. He almost succeeded in imagining the unfathomable mirror of events that obliges itself to replicate (reflect) history over and over. Following the regret of knowing the useless there was delight of discovery and longing to reach the root of it.

Three years passed without the world seeing any development worthy of writing about. Under the watchful (and somewhat sad) eyes of street dogs Arco once ate the abominable combination of ghugni and banana. This led (or may be something else did) him into a brilliant sequence: Universe is composed of infinite events (infecting objects and beings) and the events reflect across event-mirrors. These event reflections can be separated in time as opposed to the images in silver or water that are instantaneous to man (and dog). The number of such event-mirrors must surpass any finite number known to man. In fact the act of conceiving this number is in itself an event (a thought event) that has been and will be reflected again. One such event-mirror must have crossed him rendering him perfectly bilateral symmetrical. If systematically addressed, each half of his person is nothing but the sum of their actions and reactions in sequence, of proliferation, orientation and death of fundamental particles. The present is a reflection of past and precursor of future. In this way Arco, sitting on his sidewalk cradled in moist Kolkata air singlehandedly visited the greatest wisdom destined to escape mankind (despite a morbid repetition).

In 1999 inspired by Calcutta University’s medical school curriculum, I undertook the casual reading of stacked Forensic Medicine dissertations at the library. Fungus, dust and pages filled the space between the thick covers. There were words and case studies too. One that I find particularly tormenting, I lay it here:

In 1994, inside a nose-ripping morgue in Kolkata Medical College, assistant professor of Forensic and State Medicine Margaret Bhaduri, completely unaware of Arco until his own death, undertook the autopsy of a man. Police found the man in a Nimtallah ditch.  A dagger held deftly in sweaty and trembling hands of hooligans had attempted to enter the person of the unfortunate tanned youth. The circumstances of the mishap were of little interest since the body was unidentified and impoverished. Margaret noticed that the mortal wounds (a total of six entry wounds) on the person of that unidentified man were peculiar. For each of the wounds on one side of middle line, there was exactly similar infliction on the other side! He advised himself – the events on one half of the body had mirrored on the other side. This thought along with all other experiences of past led him (later that night) to consider the multiplicity of events as configuration of the time bound universe.

I do not know if the corpse that Margaret dissected that day was Arco’s or if it was his reflection (what power can a humble upbringing bestow other than ignorance?). In my faith of Arco’s hypothesis (as if it was mine!) it has become impossible for me to tell if the shadows and eyes of my wife that I see today are the same eyes that I saw yesterday. No man has seen a continuous temporal being or phenomenon. Is because to a beholder, interruption in the form of sleep or dream or death is obligatory (like religion is to some)? But this is not what torments me.

I find myself dissolved in enormous sadness. The belittling realization of recurrent universe was perhaps not for me. I know that Arco’s story has been told before and therefore it cannot be original. I also know that the reader’s act of reading this story must have existed before too. Even the sadness that I wear today has materialized in a mind of some past. My hubris is a repetition.

And I am nothing but the consequence of an implacable recurrence…


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About the Author

Nashsingh

Nishith singh's search for self, prose and enviable sadness has brought him to literature.

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  • Boqa
    So, what happens when a buccaneer of poorly disposed surgical towels and fat margin nth generation antibiotics leaves his Eric Beck’s Arco series on Internal Medicine to proceed on the paper jumble ride? Do we get a Kawabata of Dravidian variety whose search for sadness invariably torments the beauty of living or do we get a modern day Doctor Steinbeck who picks for his ample fodder not the Illinois landscape, but the pedestrian gentry of Kolkata whose trials and tribulations are deftly forgotten in the hurry to encash his outstanding tragedy of having to live within a living. Feel a need for more kicks in the butt? Ahoy, mail me one more time........


    P.S. All is fare in love and friendly fire. Well done
  • few stories tickle and tease and nudge the brain. glad i read this.

    I've always found the concept simply stunning - this concept of eternal return. With your added embellishment of event-mirrors... the way I interpret - arco becomes the narrator and the narrator becomes arco in a never ending cycle. And, because of the quirky failure in the law of nature - where mirroring events unfortunately intersected on Arco - there is now unshakeable, physical evidence of this theory, erasing all ideas of 'originality' in the universe. And so, our poor narrator is tormented - knowing that the gruesome physical end that Arco encountered, well he must experience it again and agian...for the event will recur infinite number of times.

    Despite all the creativity, all the intelligence, all the will power, man is still helpless against these recurring events - there is no escape! Brrrrrr.....not a pleasant thought!

    Like i mentioned in facebook...the last line is the fulcrum!
  • Nashsingh
    Grateful for your note Sumana. Your so creative comment made me rethink the whole idea of return of the same. No matter how promiscuous the interpretation, the recurrence holds its truth. No matter how you look at it. Such is the power of literature (and of the creative thinkers like you).
  • Saumya Sharma
    Excellent. Your story has the quality of Edgar Allen Poe's narration. What is strange here is that the murder occurred prior to the 'hypothesis'
  • Nashsingh
    Thank you Saumya for dropping by. Comparisons to Poe can only be the result of your infinite kindness or a treachery of my eyes.
    The murder (of that mysterious youth in 1994) occurs after Arco (1985) met his hypothesis.
    There is also a strange relation between the narrator and Arco that I had designed but since almost no one has picked it up. I need to do a better job there.
    Thanks for your time
    regards
  • I feel your writing has a psychedelic feel to it. When I think of other things that had this effect, what comes to my mind are 'Picture of Dorian Grey', the movie 'Mulholand Drive' and some of the darker Japanese Anime like Cowboy Bebop, . Honestly this kind of stuff scares me more than all the horror movies.
  • Nashsingh
    Other people have found this to be horror, a fact that kind of surprises me because this was not my intention at all. Still, thank you for dropping by The Fool and being generous!
  • There is nothing as scary as darkly vivid imagery accompanied by rising of existential questions. Obviously someone who creates it does not intentionally try to scare.

    By the way on an aside, is this not a Katha Sagar Post? I do not see voting enabled.
  • This isn't . This was a pre Katha Sagar post :-)
  • Nashsingh
    Like your note. Thanks for the insight. Coming to think of it "There is nothing as scary as darkly vivid imagery accompanied by rising of existential questions.", I realized that you have just now given us a potent weapon, a technique worth experimenting with, if similar results are desired. I agree. Very true The Fool. Thank you so much.

    I am glad that we are having a constructive discussion here. Again, thanks to INDImag!
  • That's a lively discussion , want to jump in but busy doing fun stuff
    - publishing :-)

    We love it when it's more than just competing ..
  • Nashsingh
    We share the same weakness (love it when it's more than just competing)
  • Even I am considering experimenting with this style. Before that I want to see more of your works. Do you have a blog where you write regularly?
  • Nashsingh
    No Sir, I do not have a blog. I have started writing only recently and I am slow so I do not think that I can come up with the efficiency asked for a blog. Will give it a thought. Thank you for your kindness! Keep the conversation on. It is good to hear from you, one who has read a lot and is quite capable of easy correlations!
    Look forward to more of your work.
  • Gripping. Even though the story is set on the sidewalk of Kolkata, it can easily be transposed to a sidewalk anywhere else. Excellent imagery created by your writing.
  • Nashsingh
    Thank you so much dreamer. Are you planning to put your stories as well?
  • dineshnayak
    Dear Nishith Singh,
    Congrats for weaving a story around this rare theme. Your words transpire the appropriate mood very well. Your imaginations are rich and you have a gift of allegory. If this work is among your first works you have a bright future as a writer. Have you ever considered writing the horror genre? Your style will suit that very well.
    However the following minor points, in my humble opinion, has grazed the literary value a little.
    1. Change of narration - In the last few paragraphs there was a change of narration from the omniscient narrator to the first person narration. I think that was done to add more realism and verisimilitude to the story. But I felt that transition was not smooth and it hurt the flow.

    2. Your word selection creates an excellent grim atmosphere. But somewhere I felt they were a bit overtly decorative and curtailed the free flow of ideas.

    Hope this is taken as a positive criticism and keep writing. Expecting more from you.
  • Nashsingh
    Dear Dinesh

    Thank your for a detailed exploration of my story. The time that you have invested is something I am really thankful for.

    The change in narration is evident but that depicts a strange (intended) relation between the narrator and the protagonist. I wont reveal further:)

    Your second point is very well taken and I am working on it. My second story was infected with similar tendencies that people have pointed out. It will certainly help me.
    regards
  • Dr. Auna kumari singh
    Bhai, story is really very good, nicely assembled in crowd of well spoken words. I can feel your different shades of emotions and expressions. Keep writing.....i will continue my reading...
  • Nashsingh
    Keep reading...
  • drjayatimallick
    Was the incidence true? I hope or want it not to be so.I know little about the english literature still the way you describe moved me a lot.Do you know about Sarodindu Bondopadhyaya who wrote a short story about similier incidence in his own life.Thanks a lot to let me know about this.It is realy very good.I wish to have more stories(?!) like this in future.
  • Nashsingh
    Dear Jayati
    You are very welcome and hopefully in few days I will try to come with some more.

    I do not think that the story really took place but thank you for the kind comments. The technique used in the story has been used before and is very effective in giving the story its vivid nature as you point out.

    No I have not read Sarodindu Bondopadhyaya but I did google him (and did not find any work of his that was unfortunate). Sounds very promising, will definitely try to lay my hands (eyes to be precise) on when I go back to Kolkata.
  • Nashsingh
    Vikas and Madhu, your words are very true, the meaning they bear is wonderful, they are powerful enough to fill the reader with gratitude, yet despite their might, their charisma, their ability to swallow the subject by their sheer worth, I find peace and quiet in the endless torment that is entirely mine, the torment that has come to be me...
  • Vikas
    Good. I knew this was coming out someday. I have walked those "chowringhee sidewalks" with you. It took a decade to come out and its beautiful.I have no doubt this is beginning or as Eliot once said beginning is often the end and to make a end is to make a beginning.I don't think chowringhee and its neighboring sidewalks will ever leave you.

    For this story to come out you must have gone through the pains and sufferings a writer has to go through.Knowingly -unknowingly that's what you wished for.May you have more such days of torment.We will be eagerly waiting for the outcomes.
  • Vikas,
    Though my interactions with Nishith have been brief and via
    email, I am compelled to agree that his ties with Chowringhee is deep
    rooted. Like you, I too wish him more of such torment which would
    churn out a cream of a post like this :-)

    Welcome to INDImag
  • Nashsingh
    Om- Your comment baffles me! It is conceivably more complex than my days (and night, or vice versa)

    Thanks Ashish and Om for your relatively forgiving comments
  • Om
    I know a person who has this 'recurrent universe' between his dreams and awake state(or the other way round), even though the event which he experiences in his dreams precede his experience of mirror event, in awake state by anything from a year to a decade. So, should we believe that he is living the dream and dreaming what everybody calls life.
  • Ashish
    Your writing gave me a new insight - one can consider the birth of a child as the death of a pregnancy - depicting a continuity that is lost.....
  • Nashsingh
    Thanks to you Makk!
    And Madhu, I will certainly try to get two short stories for the Katha contest.
  • hey its simply gr888888888888888888888888888888!

    keep it up rather....Keep repeating...I all the emotions as well as writing.

    So that I can repeat my comments as well. :)
  • Nashsingh
    Madhu, on behalf of the story, I thank you for your infinite kindness (for certain words, the befitting picture that inspires an unceasing wisdom and for your editorial approval).

    Ms Nalini thanks a ton to you too. As authors we just put words together and that is where our contribution ends. The story fends for itself. By the way, your comments sound like a poem, and a potent one(almost as potent as sadness)
  • What a story!...you made it sound so real!...Arco and his mirror image injuries...The dejavu you feel about sadness and its ephemeral/eternal quality is something I understand...life is full of such moments where you wonder if anyone else has ever felt the way you feel about something...but reading has helped me realize that all people wear masks...some so good that their real feelings never show...and some, whose masks keep slipping off as emotions fight to show up...but sadness is omnipresent
  • Nishith, that is an amazing piece of fiction(?). Dark, flowed well and was written beautifully. We have not had anyone write a Nietzsche-ish piece or for that matter anything on recurrence, so hopefully people will like this. Added Ouroboros images as I needed an image to make this a featured post -- that's all my limited linear faculty could think up :-)

    Welcome to INDImag and hope to read many more of these !
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